That said, this choose-your-own-adventure collection of thoughtful prompts for introspection will more likely be found on the self-help shelf of a therapist’s office than wedged under a crystal ball in a psychic parlor. Thanks to another new book, “Tarot for Change,” some such age-old secrets have never been more accessible. She is also a subversive champion for the marginalized: With her arcane knowledge, her power exists outside of the restrictive systems of church, state and industry. The anthology posits the witch as far more than a passive muse - a formidable creative force herself. There’s a medieval woodcut by Hans Baldung Grien of grotesque hags applying flying ointment (made from the flesh of children, so the old stories go) John William Waterhouse’s dreamy, main-character-energy Pre-Raphaelite enchantresses an alluring siren’s nearly nude torso glistening in the steam off her cauldron on the borderline-softcore cover for Peter Tremayne’s 1978 fantasy novel “The Vengeance of She.”īut the book’s most indelible images are those of the self-identified witches, art and artifacts that blur the line between aesthetic object and spiritual practice - “Haitians, Lend a Hand to Mother,” one of Myrlande Constant’s stunning, intricately beaded ceremonial Voodoo flags, for instance, or an unknown spell-caster’s 1953 poppet, dressed in black lace to represent “an evil Nazi wife,” stabbed through the face with a nail. “Witchcraft” captures the dizzying clip at which its subject has shape-shifted over centuries, a cipher capable of embodying society’s deepest fears and desires, and their considerable overlap.
#Monster walter dean myers chapter summary series#
Through more than 400 works of art - interspersed with personal and wide-ranging essays by present-day practitioners and aficionados - the latest installment in Taschen’s “Library of Esoterica” series surveys the shadow and the light the witch has cast across the Western imagination. “Witchcraft,” a lavish coffee-table book edited by Jessica Hundley and Pam Grossman, is a decadent feast for the eyes, laced with belladonna. ‘Red Comet’: Heather Clark’s new biography of the poet Sylvia Plath is daring, meticulously researched and unexpectedly riveting.‘Intimacies’: Katie Kitamura’s novel follows an interpreter at The Hague who is dealing with loss, an uncertain relationship and an insecure world.‘On Juneteenth’: Annette Gordon-Reed explores the racial and social complexities of Texas, her home state, weaving history and memoir.‘How Beautiful We Were’: Imbolo Mbue’s second novel is a tale of a casually sociopathic corporation and the people whose lives it steamrolls.That last tension has proved particularly fertile in art and culture, birthing a bestiary of monsters (werewolves, changelings, “The Stepford Wives”) whose difference reflects back to us the cruelly policed boundaries of what society will tolerate.Įditors at The Times Book Review selected the best fiction and nonfiction titles of the year. Luckhurst locates the Gothic in the demilitarized zone between the modern and the ancient, the city and the country, the living and the dead, the self and the other. Another chapter is devoted entirely, delightfully, to the slimy horror of tentacles. His analysis of the Gothic labyrinth draws a direct line from the Minotaur to Pac-Man. In “Gothic: An Illustrated History,” Roger Luckhurst sets forth an extensive, macabre taxonomy of the protean genre and its hallmark “pleasant shivers,” dark tendrils grasping through time and space to ensnare gloomy castles, suburban shopping malls and even the most desolate - though maybe not quite unoccupied - reaches of the cosmos.Ī professor of 19th-century studies at Birkbeck College, University of London, Luckhurst manages to balance granular detail (in the margins I scribbled reminders to myself to investigate further the enticingly breadcrumbed movies, video games and other references) with liveliness and charm.
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What does “Gothic” mean to you? For me, the word conjures images of an ancient Eastern Germanic tribe, a flying buttress and myself circa 2003, loitering in front of a rack of studded belts at Hot Topic. TAROT FOR CHANGE Using the Cards for Self-Care, Acceptance, and Growth By Jessica Dore
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WITCHCRAFT The Library of Esoterica Edited by Jessica Hundley and Pam Grossman GOTHIC An Illustrated History By Roger Luckhurst